Tendulkar for this scene has the rest of the cast ‘freeze’ in their positions and lets Benare speak her private thoughts. In one crucial scene towards the end, Benare is unable to restrain herself from expressing her innermost thoughts. Responding to the court’s charade, there is a stern silence on her part. She recoils into herself wanting to shelter her privacy (and right as an individual).
#The vultures summary vijay tendulkar trial#
The trial accuses Benare of an illicit relationship she has had with a colleague Professor Damle and the illegitimate child she is carrying. In Silence! the Court is in Session, the lively school teacher Leela Benare who loves to recite fanciful poetry and participate in community theatre, realises that staging of the play-rehearsal as a mock-trial is in fact aimed at humiliating her.
Women characters are generally isolated and emotionally detached - insecure, solitary, and often deprived of their family connections or parental guidance.
Psychological assault on self-esteem is a theme that underscores female protagonists in his work. It is not just their social place but the broad spectrum of emotions which they bring to these characters – “from the unbelievably gullible to the clever, from the malleable to the stubborn, from the conservative to the rebellious, from the self-sacrificing to the grasping”. You see these characters as a housewife, a teacher, a mistress, a daughter, a film extra, a bonded slave, a kept woman, a servant etc. Women characters have a central role in these writings, the lives of the characters determined by their location in a particular social space, mainly the lower strata of society and urban middle class. Silence! The court is in Session (1968), Sakharam Binder (1972), Ghasiram Kotwal (1972), Baby (1975), Kamala (1982), Kanyadaan (1983), Safar / The Cyclist (1999), and His Fifth Woman (2005) are some of his significant plays. The basic urge to write for him has been to express his concerns vis. During this period, trying to understand Tendulkar’s enigmatic oeuvre, I met with him many times while visiting Mumbai.Įssentially, Vijay Tendulkar’s multi-faceted work deals with social and moral questions in a male-dominated Indian society. The two plays were published by the Oxford University Press (India) with a new title, “The Cyclist and His Fifth Woman” in 2006. He wrote that piece in a short period of six weeks while staging his classic, Sakharam Binder in New York. Tendulkar, first as the translator of his play Safar, re-titled The Cyclist, then adapting it for BBC World Service in 1998, and further working towards its publication to which Tendulkar at last minute added another play, his first play in English –His Fifth Woman.
I had the opportunity to collaborate with Mr. This is felt more in the original versions of my plays because of the nuances and variations in speech I attribute to my characters.” On characterization in his plays, in his Sri Ram Memorial Lecture, The Play is the Thing, he states, “My characters are not card-board characters they do not speak my language rather I do not speak my language through them they are not my mouth-pieces but each of them has his or her own separate existence and expression. Sometimes my plays jolted the society and I was punished…I was adamant as it is an old habit with me to do what I am asked not to.” The philosophy behind Tendulkar’s writing is based upon his perception of society and its values - his life experiences, and observing what he had seen in others around him: “I did not attempt to simplify matters and issues for the audience, though it would have been easier to do so through such a medium. Tendulkar’s plays, though originally written in the author’s native Marathi, have been translated and performed in English. Naipaul described him as India’s best playwright. Vijay Tendulkar (1928-2008), India’s prolific playwright, wrote over seventy works which include 32 full-length plays, seven one-act and six children plays.
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